Young soprano, Marianne Lambert is finalist for the Opus Award for the romantic album of the year with Mélodies Passagères, recipient of the Opus Award fort Concert of the Year – Regions  for Bel Canto, the An die Musik Recital Award at the 25th Clermont-Ferrand International Singing Competition, as well as the Grand Prix for the 20th Concours International de Chant de Marmande. A diamond voice with shimmering colours, Marianne Lambert displays a stunning stage presence. The intelligence behind her acting is equaled only by her impressive vocal control.

She has shone in the roles of the Fairy Godmother in Massenet’s Cendrillon (Opéra de Nantes, Opéra d’Angers and Opéra de Montréal), Gilda in Verdi’s Rigoletto (Opéra de Rennes), Stella in Offenbach’s La Fille du tambour-major (Société d’art Lyrique du Royaume), Adèle in Strauss’s die Fledermaus (Opéra de Montréal and Opéra de Québec), Woglinde in Wagner’s das Rheingold (Orchestre symphonique de Montréal with Maestro Kent Nagano), Clorinda in Rossini’s La Cenerentola (Pasic Opera Victoria), Mlle Silberklang in Mozart’s der Schauspieldirektor (Opéra de Rennes), and Marie-Anne in Hahn’s Ô mon bel inconnu (Opéra de Rennes and Opéra de Metz).